Alison Saar imprègne son travail d'un haut degré de sous-texte culturel. Elle est représentée par la L.A. Louver à Venice, en Californie[27]. Ollman, Leah. "Down to the Crossroads: The Art of Alison Saar." Elle développe un  intérêt pour la sculpture et les artéfacts de différentes cultures, à travers lesquels elle apprend les propriétés de multiples matériaux et techniques[7]. [20][5] Her solo institutional exhibitions include: Alison Saar: Bearing at the Museum of the African Diaspora in 2015-16;[21][22] Winter at The Fields Sculpture Park, Omi International Arts Center in 2014-15;[23] Hothouse at the Watts Towers Art Center in 2014-15;[24] and STILL... that opened at the Ben Maltz Gallery, Otis College of Art and Design in 2012 and traveled to the Figge Art Museum, Massachusetts College of Art and Design in 2013.[25][26][27]. Mirror Mirror: The Prints and Sculpture of Alison Saar from the Jordan Schnitzer Family Foundation will be on view from September 1 to December 19, 2020. Ses œuvres ont également été présentées à l'échelle internationale avec des expositions clés au UCLA Fowler Museum de l'histoire culturelle à Los Angeles, à la L.A. Louver Gallery, à la Phyllis Kind Gallery de New York, à la galerie Ben Maltz ou au Pasadena Museum of California Art[23],[24],[25]. L’œuvre Snake Man, appartenant à la collection du Honolulu Museum of Art, est un exemple de la façon dont l'artiste fait référence à la fois à la culture africaine et au corps humain dans son travail[19]. Ses sculptures très personnelles, souvent au format grandeur nature, sont marquées par leur candeur émotionnelle et par des matériaux et des messages contrastés. [16] In a review of the Biennial, New York Times art critic Roberta Smith said that Saar's work was among the "few instances where the political and visual join forces with real effectiveness. [3] Saar's mother Betye was involved in the 1970s Black Arts Movement and frequently took Alison and her sisters, Lezley and Tracye, to museums and art openings during their childhood. [9] She received an MFA from Otis College of Art and Design (Los Angeles, CA) in 1981. Her work is often autobiographical and often acknowledges the historical role of the body as a marker of identity, and the body's connection to contemporary identity politics. L’intérêt de l’artiste pour la nature, l'art populaire et son admiration pour la capacité des artistes à créer grâce à l'utilisation d’objets recyclés découlent de son éducation et de son exposition à ces expériences et types d'art[6]. Employing both found and traditional artistic materials, Alison Saar’s sculptures and assemblages meditate on a range of experiences related to the African diaspora and femininity. Son travail se concentre sur la diaspora africaine et l'identité féminine noire. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. “Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood.”, Farrington, Lisa E. "Reinventing Herself: The Black Female Nude." Ses sculptures et installations explorent les thèmes de la diaspora culturelle africaine et de la spiritualité. Le travail d’Alison Saar est exposé dans des musées, des biennales, des galeries et des lieux d'art public. Alison Saar is a Los Angeles-based artist who has worked primarily in sculptures and prints for over 35 years. Persuadé que les objets contiennent des esprits, elle transforme des objets trouvés familiers pour susciter des émotions humaines[7],[21]. Saar is skilled in numerous artistic mediums, including metal sculpture, wood, fresco, woodblock print, and works using found objects. She was included in the 1993 Whitney Biennial held at the Whitney Museum of American Art.[32][17]. Callaloo 14.1 (1991): 107-23. Saar's work has been exhibited internationally with key exhibitions at the UCLA Fowler Museum of Cultural History, L.A. Louver Gallery, Phyllis Kind Gallery in New York City, Ben Maltz Gallery, and Pasadena Museum of California Art. … McGee, Julie L. "Field, Boll, and Monument: Toward an Iconography of Cotton in African American Art." Snake Man, in the collection of the Honolulu Museum of Art, is an example of how the artist references both African … For Los Angeles sculptor Alison Saar, art came from both sides of the family. ", Dallow, Jessica. [29] Made in California: Art, Image, and Identity, 1900-2000 a large survey exhibition and catalogue produced Los Angeles County Museum of Art in 2000;[30] Twentieth Century American Sculpture in the White House Garden at The White House, Washington, D.C., in 1995;[31] and "Building on the Legacy: African American Art from the Permanent Collection" at the Muscarelle Museum of Art in Williamsburg, Virginia in 2018. "Thread to the World: Alison Saar" Bomblog, 17 Nov 2011. full article, PDF. Pour la critique d'art Rebecca Epstein : "L’artiste démontre une habileté rare avec des matériaux apparemment impitoyables (bronze, plomb, goudron, bois), et jongle avec les thèmes de l'identité personnelle et culturelle alors qu'elle façonne différentes tailles de corps féminins (souvent le sien)"[17],[18]. Artist Fellowship. [19] She was an artist-in-residence at Dartmouth College and at The Studio Museum in Harlem. "[5], Saar is skilled in numerous artistic mediums, including metal sculpture, wood, fresco, woodblock print, and works using found objects. Alison Saar travaille avec son père comme conservatrice pendant huit ans, alors qu’elle est encore lycéenne. Feb 17, 2016 - Explore Heea's board "alison saar", followed by 1316 people on Pinterest. Material Generally, I have to experience everything through my hands. Alison Saar, “Stanch” (2017) (left) and “Breach” (2017) (right), woodcut on vintage seed sacks Ancient European art has also been influential for Saar. Scripps College, Otis College of Art and Design, Sculpteure, Artiste visuelle, Peintre, Artiste, Diaspora Africaine, Afro-féminisme, Corps humain, Genre, Sculpture, Arts visuels, Peinture, Art féministe, Bourse John Simon Guggenheim Memorial Foundation (1989), Prix Joan Mitchell Foundation (1998), Excellence in Design Award (2005), Fellow of United States Artists (2012), Delaware Center for the Contemporary Arts, Indianapolis Museum of Art Online Collection, John Simon Guggenheim Memorial Foundation, https://fr.wikipedia.org/w/index.php?title=Alison_Saar&oldid=170387182, Article de Wikipédia avec notice d'autorité, Page pointant vers des bases relatives aux beaux-arts, Portail:Biographie/Articles liés/Photographie, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Alison Saar draws stories and myths from her diverse African American, Native American and European family history to create sculptures, prints, drawings and mixed media works. [1] Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion. Son intérêt pour le corps, en particulier le corps maternel, présente à la fois l'endurance corporelle et culturelle des femmes afro-américaines[22]. In, Wilson, Judith. Son travail se concentre sur la diaspora africaine et l'identité féminine noire. Sa thèse de fin d’études porte sur l'art populaire afro-américain[9]. "Departures and Returns: Figuring the Mother's Body in the Art of Betye and Alison Saar. Web. Alison Saar is a contemporary American artist who addresses ideas of race, gender, culture, spirituality, and humanity through her figurative sculptures and paintings. [1] Snake Man, in the collection of the Honolulu Museum of Art, is an example of how the artist references both African culture and the human body in her work.

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